I am often asked why the older recordings are better. By older people usually mean the stereo orchestral and operatic recordings made between the late 1950s and early 1970s. I am not sure that I know the answer, but the observation is true in many respects, and recordings from the golden age of stereo continue to provide stiff competition to modern recordings. The venues and techniques used for some of these older recordings are documented and perhaps reveal the secret of their quality. (more…)
