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	<title>David Pickett</title>
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	<description>This blog is about all kinds of things</description>
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		<title>David Pickett</title>
		<link>http://davidpickett.wordpress.com</link>
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		<item>
		<title>What Goes Around Comes Around</title>
		<link>http://davidpickett.wordpress.com/2009/12/23/what-goes-around-comes-around/</link>
		<comments>http://davidpickett.wordpress.com/2009/12/23/what-goes-around-comes-around/#comments</comments>
		<pubDate>Wed, 23 Dec 2009 11:11:19 +0000</pubDate>
		<dc:creator>davidpickett</dc:creator>
				<category><![CDATA[Audio Recording]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[BArbirolli]]></category>
		<category><![CDATA[Beatles]]></category>
		<category><![CDATA[Bernstein]]></category>
		<category><![CDATA[Callas]]></category>
		<category><![CDATA[CD]]></category>
		<category><![CDATA[emi]]></category>
		<category><![CDATA[Horowitz]]></category>
		<category><![CDATA[Klemperer]]></category>
		<category><![CDATA[LP]]></category>
		<category><![CDATA[vinyl]]></category>

		<guid isPermaLink="false">http://davidpickett.wordpress.com/?p=788</guid>
		<description><![CDATA[AARP Magazine for Jan/Feb 2010 has an article on the current revival of interest in vinyl (long playing) records (How Records Got Their Groove Back, by Bill Newcott). In brief, the thesis is: &#8211; Much of the material published on LPs was never issued on CD &#8212; true. &#8211; CD sales are diminishing as people [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=davidpickett.wordpress.com&#038;blog=8019833&#038;post=788&#038;subd=davidpickett&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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	</item>
		<item>
		<title>The Orchestral Balance in Jascha Horenstein&#8217;s recording of Mahler&#8217;s Fourth Symphony</title>
		<link>http://davidpickett.wordpress.com/2009/08/10/the-orchestral-balance-in-jascha-horensteins-recording-of-mahlers-fourth-symphony/</link>
		<comments>http://davidpickett.wordpress.com/2009/08/10/the-orchestral-balance-in-jascha-horensteins-recording-of-mahlers-fourth-symphony/#comments</comments>
		<pubDate>Mon, 10 Aug 2009 14:29:45 +0000</pubDate>
		<dc:creator>davidpickett</dc:creator>
				<category><![CDATA[Audio Recording]]></category>
		<category><![CDATA[Gustav Mahler]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[BArbirolli]]></category>
		<category><![CDATA[Eighth Symphony]]></category>
		<category><![CDATA[emi]]></category>
		<category><![CDATA[jascha horenstein]]></category>
		<category><![CDATA[multi-miking]]></category>
		<category><![CDATA[orchestral balance]]></category>

		<guid isPermaLink="false">http://davidpickett.wordpress.com/?p=764</guid>
		<description><![CDATA[Given the vast number of examples, the survey that I did of recordings of Mahler Symphonies &#8212; &#8220;Mahler on Record: The Spirit or the Letter?&#8221; &#8212; in the book Perspectives on Gustav Mahler had to be restricted. I decided to do this in several ways by considering only: &#8211; the first seven symphonies, which Mahler [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=davidpickett.wordpress.com&#038;blog=8019833&#038;post=764&#038;subd=davidpickett&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>3</slash:comments>
	
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			<media:title type="html">davidpickett</media:title>
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			<media:title type="html">horenstein4</media:title>
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	</item>
		<item>
		<title>Interpreting Mahler &#8212; the beginning of the Fourth Symphony</title>
		<link>http://davidpickett.wordpress.com/2009/08/02/interpreting-mahler-the-beginning-of-the-fourth-symphony/</link>
		<comments>http://davidpickett.wordpress.com/2009/08/02/interpreting-mahler-the-beginning-of-the-fourth-symphony/#comments</comments>
		<pubDate>Mon, 03 Aug 2009 03:14:59 +0000</pubDate>
		<dc:creator>davidpickett</dc:creator>
				<category><![CDATA[Gustav Mahler]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Fourth Symphony]]></category>

		<guid isPermaLink="false">http://davidpickett.wordpress.com/?p=731</guid>
		<description><![CDATA[A friend asked me to comment on the first few bars of a recording of Mahler&#8217;s Fourth Symphony recently. When I listened to it and looked at the several versions of the score I realized that, while Mahler was quite specific in his notation, many orchestras and conductors have responded very differently to his requests. [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=davidpickett.wordpress.com&#038;blog=8019833&#038;post=731&#038;subd=davidpickett&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Mahler4-ms-p1d</media:title>
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	</item>
		<item>
		<title>The Golden Age of Stereo</title>
		<link>http://davidpickett.wordpress.com/2009/07/26/the-golden-age-of-stereo/</link>
		<comments>http://davidpickett.wordpress.com/2009/07/26/the-golden-age-of-stereo/#comments</comments>
		<pubDate>Sun, 26 Jul 2009 18:22:38 +0000</pubDate>
		<dc:creator>davidpickett</dc:creator>
				<category><![CDATA[Audio Recording]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Adrian Boult]]></category>
		<category><![CDATA[BArbirolli]]></category>
		<category><![CDATA[Bruno Walter]]></category>
		<category><![CDATA[Decca Records]]></category>
		<category><![CDATA[Dorati]]></category>
		<category><![CDATA[Giulini]]></category>
		<category><![CDATA[Kingsway Hall]]></category>
		<category><![CDATA[Klemperer]]></category>
		<category><![CDATA[Monteux]]></category>
		<category><![CDATA[Neville Boyling]]></category>
		<category><![CDATA[Reiner]]></category>
		<category><![CDATA[Solti]]></category>
		<category><![CDATA[stereo]]></category>
		<category><![CDATA[Walthamstow Assembly Hall]]></category>
		<category><![CDATA[Watford Town Hall]]></category>

		<guid isPermaLink="false">http://davidpickett.wordpress.com/?p=654</guid>
		<description><![CDATA[I am often asked why the older recordings are better. By older people usually mean the stereo orchestral and operatic recordings made between the late 1950s and early 1970s. I am not sure that I know the answer, but the observation is true in many respects, and recordings from the golden age of stereo continue [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=davidpickett.wordpress.com&#038;blog=8019833&#038;post=654&#038;subd=davidpickett&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>12</slash:comments>
	
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			<media:title type="html">davidpickett</media:title>
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			<media:title type="html">goetterdaemmerung</media:title>
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			<media:title type="html">chicago2</media:title>
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			<media:title type="html">33C1051</media:title>
		</media:content>

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			<media:title type="html">into-allo</media:title>
		</media:content>

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			<media:title type="html">F125_Kingsway_Hall</media:title>
		</media:content>

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			<media:title type="html">walthamstow2</media:title>
		</media:content>

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			<media:title type="html">kingsway</media:title>
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		<item>
		<title>How do non-musicians hear music?  Fourth movement</title>
		<link>http://davidpickett.wordpress.com/2009/07/02/how-do-non-musicians-hear-music-fourth-movement/</link>
		<comments>http://davidpickett.wordpress.com/2009/07/02/how-do-non-musicians-hear-music-fourth-movement/#comments</comments>
		<pubDate>Fri, 03 Jul 2009 00:30:25 +0000</pubDate>
		<dc:creator>davidpickett</dc:creator>
				<category><![CDATA[Gustav Mahler]]></category>
		<category><![CDATA[Listening to Music]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[La Grange]]></category>
		<category><![CDATA[Ninth Symphony]]></category>
		<category><![CDATA[Simon Rattle]]></category>
		<category><![CDATA[Toblach]]></category>

		<guid isPermaLink="false">http://davidpickett.wordpress.com/?p=605</guid>
		<description><![CDATA[EMI have issued a new recording of Mahler&#8217;s Ninth Symphony with the Berlin Philharmonic orchestra conducted by their music director, Sir Simon Rattle, in October 2007. A video introduction to this recording is posted on the internet on which Sir Simon makes what I think are incomplete assertions: &#8220;&#8230;Finally in all his pieces, he [Mahler] [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=davidpickett.wordpress.com&#038;blog=8019833&#038;post=605&#038;subd=davidpickett&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
		<wfw:commentRss>http://davidpickett.wordpress.com/2009/07/02/how-do-non-musicians-hear-music-fourth-movement/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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			<media:title type="html">davidpickett</media:title>
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			<media:title type="html">rattle</media:title>
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			<media:title type="html">toblach1</media:title>
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		<item>
		<title>How do non-musicians hear music?  Third movement</title>
		<link>http://davidpickett.wordpress.com/2009/06/23/how-do-non-musicians-hear-music-third-movement/</link>
		<comments>http://davidpickett.wordpress.com/2009/06/23/how-do-non-musicians-hear-music-third-movement/#comments</comments>
		<pubDate>Tue, 23 Jun 2009 21:58:12 +0000</pubDate>
		<dc:creator>davidpickett</dc:creator>
				<category><![CDATA[Gustav Mahler]]></category>
		<category><![CDATA[Listening to Music]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Bruno Walter]]></category>
		<category><![CDATA[Daniel Barenboim]]></category>
		<category><![CDATA[Furtwängler]]></category>
		<category><![CDATA[Giulini]]></category>
		<category><![CDATA[Klemperer]]></category>
		<category><![CDATA[Mengelberg]]></category>
		<category><![CDATA[Toscanini]]></category>

		<guid isPermaLink="false">http://davidpickett.wordpress.com/?p=558</guid>
		<description><![CDATA[The conductor Daniel Barenboim has given an interview about his relationship to the music of Gustav Mahler. You can read it in full here. Among other things, Barenboim discusses the question of emotion in music: I found, in the Mahler concerts I had heard, two extremes. One was sort of exaggeratedly emotional, in the sense [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=davidpickett.wordpress.com&#038;blog=8019833&#038;post=558&#038;subd=davidpickett&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">davidpickett</media:title>
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			<media:title type="html">barenboim</media:title>
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		<item>
		<title>The future of Surround Sound</title>
		<link>http://davidpickett.wordpress.com/2009/06/21/the-future-of-surround-sound/</link>
		<comments>http://davidpickett.wordpress.com/2009/06/21/the-future-of-surround-sound/#comments</comments>
		<pubDate>Sun, 21 Jun 2009 14:28:51 +0000</pubDate>
		<dc:creator>davidpickett</dc:creator>
				<category><![CDATA[Audio Recording]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Ambisonics]]></category>
		<category><![CDATA[Musikvereinsaal]]></category>
		<category><![CDATA[SACD]]></category>
		<category><![CDATA[stereo]]></category>
		<category><![CDATA[Stereophile]]></category>
		<category><![CDATA[Super Audio CD]]></category>
		<category><![CDATA[suround sound]]></category>
		<category><![CDATA[sursound]]></category>
		<category><![CDATA[Symphony Hall Birmingham]]></category>

		<guid isPermaLink="false">http://davidpickett.wordpress.com/?p=497</guid>
		<description><![CDATA[The July 2009 issue of the U.S. Stereophile magazine contains a leading editorial by Steve Guttenberg in recognition of the tenth anniversary of the launch of Super Audio CD (SACD). He begins: &#8220;I love stereo, always have, always will. A great stereo recording can produce such a full-bodied, three-dimensional soundstage that surround sound seems superfluous. [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=davidpickett.wordpress.com&#038;blog=8019833&#038;post=497&#038;subd=davidpickett&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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			<media:title type="html">davidpickett</media:title>
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		<title>Mahler&#8217;s &#8220;version&#8221; of Beethoven&#8217;s Ninth Symphony</title>
		<link>http://davidpickett.wordpress.com/2009/06/17/mahlers-version-of-beethovens-ninth-symphony/</link>
		<comments>http://davidpickett.wordpress.com/2009/06/17/mahlers-version-of-beethovens-ninth-symphony/#comments</comments>
		<pubDate>Wed, 17 Jun 2009 21:33:14 +0000</pubDate>
		<dc:creator>davidpickett</dc:creator>
				<category><![CDATA[Gustav Mahler]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Alexander von Zemlinsky]]></category>
		<category><![CDATA[Arnold Schönberg]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[IGMG]]></category>
		<category><![CDATA[International Gustav Mahler Society]]></category>
		<category><![CDATA[Ninth Symphony]]></category>
		<category><![CDATA[Retuschen]]></category>

		<guid isPermaLink="false">http://davidpickett.wordpress.com/?p=466</guid>
		<description><![CDATA[I have spent a lot of time over the past ten years preparing for publication a score of Beethoven&#8217;s Ninth Symphony with the instrumental alterations (Retuschen) of Gustav Mahler. This score has been performed already in the USA by Leonard Slatkin and five times in Europe. It will be published by the International Gustav Mahler [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=davidpickett.wordpress.com&#038;blog=8019833&#038;post=466&#038;subd=davidpickett&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>2</slash:comments>
	
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			<media:title type="html">davidpickett</media:title>
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			<media:title type="html">mahler-cond1</media:title>
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			<media:title type="html">PICT3931c</media:title>
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		<title>How do non-musicians hear music? Second movement</title>
		<link>http://davidpickett.wordpress.com/2009/06/17/how-do-non-musicians-hear-music-second-movement/</link>
		<comments>http://davidpickett.wordpress.com/2009/06/17/how-do-non-musicians-hear-music-second-movement/#comments</comments>
		<pubDate>Wed, 17 Jun 2009 16:10:22 +0000</pubDate>
		<dc:creator>davidpickett</dc:creator>
				<category><![CDATA[Listening to Music]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[Kinderszenen]]></category>
		<category><![CDATA[Lieder ohne Worte]]></category>
		<category><![CDATA[Listening to music]]></category>
		<category><![CDATA[Marc-André Souchay]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[Scenes from Childhood]]></category>
		<category><![CDATA[Schönberg]]></category>
		<category><![CDATA[Schoenberg]]></category>
		<category><![CDATA[Songs without Words]]></category>
		<category><![CDATA[Understanding music]]></category>

		<guid isPermaLink="false">http://davidpickett.wordpress.com/?p=425</guid>
		<description><![CDATA[In his 1939 essay Eartraining through Composition, the composer Arnold Schönberg raps me firmly on the knuckles for the unconventional description of the first movement of Mahler&#8217;s Ninth Symphony that I gave earlier: &#8220;&#8230;one cannot do justice to a work of art while allowing one&#8217;s imagination to wander to other subjects, related or not. In [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=davidpickett.wordpress.com&#038;blog=8019833&#038;post=425&#038;subd=davidpickett&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>3</slash:comments>
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		<title>How do non-musicians hear music? First movement</title>
		<link>http://davidpickett.wordpress.com/2009/06/14/how-do-non-musicians-hear-music-first-movement/</link>
		<comments>http://davidpickett.wordpress.com/2009/06/14/how-do-non-musicians-hear-music-first-movement/#comments</comments>
		<pubDate>Sun, 14 Jun 2009 15:49:07 +0000</pubDate>
		<dc:creator>davidpickett</dc:creator>
				<category><![CDATA[Gustav Mahler]]></category>
		<category><![CDATA[Listening to Music]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Martin Buber]]></category>
		<category><![CDATA[reading music]]></category>
		<category><![CDATA[Symphony No.9]]></category>

		<guid isPermaLink="false">http://davidpickett.wordpress.com/?p=341</guid>
		<description><![CDATA[A long time ago, before I really learned how to read it, I remember listening to music and not hearing individual notes. I cannot recall what I did hear, except that I can remember that the first movement of Mahler&#8217;s Ninth Symphony conjured up dream-like images of a journey through a strange flat landscape (I [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=davidpickett.wordpress.com&#038;blog=8019833&#038;post=341&#038;subd=davidpickett&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>4</slash:comments>
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